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It’s A Binary World 2.0

Eric’s insights on politics, technology, free software, photography and everything else

Welcome To My Blog...

I've decided to consolidate my two blogs (It's A Binary world and It's A Binary World 2.0) onto this blog so that everything can be in one place. For clarity's sake, I will add [1.0] to the beginning of each of those entries, but generally speaking, anything before Feb 2005 is from the old blog.

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Review: Tim Burton’s Alice in Wonderland

Posted By Eric Mesa on March 14, 2010

Introducing Tweedle Dee and Tweedle Dum

I’m a big Tim Burton fan and I also tend to like his casting of Johnny Depp.  But I’m no fanboy:  I found Tim Burton’s take on Charlie and the Chocolate Factory to be worse than the original Willy Wonka and the Chocolate Factory.  The first thing I have to get off my chest and the thought that was pervasive in my mind nearly to the point of preventing my enjoyment of the movie is that this movie should really have been titled Return to Wonderland.  If you’re into movies, you probably already knew this, and so did I.  But I can imagine lots of people who just see a commercial or see the name and think it’ll be a live action version of the old Disney movie.  (It doesn’t help that Disney is behind this version as well)  So, in this version, we have an adult Alice about who runs away from her marriage proposal and into the rabbit hole.

I never read the original Lewis Caroll Alice books. Like most people of my generation, and the one before it, when I think of Alice in Wonderland I think of the 1951 Disney film.  While watching Tim Burton’s film, I was constantly comparing it to the movie I knew.  I think what I came away with as the biggest difference is the focus of the movies.  The 1951 animated movie is mostly about exploration.  What is this Wonderland?  What does it look like and how does it work?  We see dozens of characters streaking by, but only the Chesire Cat appears to have any substance.  Even Alice’s personality is mostly given secondary importance.  Tim Burton’s film, on the contrary, is mostly about the characters.  In fact, I feel as though Alice only ends up in about four places, including the scene of the final confrontation.  In the original Disney movie we only see the Mat Hatter at his tea party.  In Tim Burton’s movie, he becomes one of the main characters.  We learn of a time where he was perhaps not so mad.  Throughout the movie he helps to inspire Alice.  We also get to see a bit more of the Red Queen than in the animated film.  We also truly see the growth of Alice as a character.  From the beginning of the animated film to the end, she remains a cry-baby who continues to shun her own good advice.  In Tim Burton’s movie she grows more and more assertive.  This makes it slightly predictable, but this archetype is nearly always predictable – a challenge in a dream world (or some other such device) provides a character with growth they can use back in the real world.  So this makes it really hard to compare the two movies, my first instinct.  In a way, it’s as though they both took aspects that were present in Lewis Caroll’s books and emphasized that side while neglecting the other.  While I never read the Alice books, I’m pretty sure I have read that part of the point is that Alice’s character matures as the book goes on, but it’s also about exploring the lands Caroll has created.

Day Two Hundred Forty-Four:  A REAL Tea Party

The rest of this review may contain spoilers, so I’ll say now that I think the movie is good and is probably worth seeing in the movie theaters and definitely worth a rental.

Acting-wise, I think everyone does a good job.  Anne Hathaway does a great job as a very quirky White Queen.  Her mannerisms are hilarious and unsettling.  The movie leaves you with the feeling that, although she is clearly not as evil as the Red Queen, she is not quite all there either.  Helena Bonham Carter does a good job as the Red Queen.  Her character does a good job of coming across as evil and crazy as in the animation.  Johnny Depp’s Mad Hatter is good, although it’s not his best performance ever.  The woman who plays Alice also does a very good job.

The movie tries to be cute with constant references to the original film.  The Red Queen is playing croquet with a flamingo and a hedgehog.  Characters remark that Alice should have remembered the whole eat me/drink me episode to get through the door.  The caterpillar does the whole “who are you?” thing.  The flowers are there to disparage Alice.  But I kept thinking that people who were experiencing Alice in Wonderland for the first time were missing something.  In other words, it seemed to consider viewing the 1951 cartoon as a prerequisite.  So, to bring the review full circle, I was bothered by the title during the whole movie and it kept me from enjoying it as much as I could have.  I thought the movie should have been Return to Wonderland or else Burton should have made the movie about Alice’s first time to Wonderland.

On a side note:  Having just seen Terry Gilliam’s Jaberwocky, it was interesting to see, in the same week, another movie featuring the Jaberwocky as the ultimate enemy.

In the end, I think the movie was good, but it has trouble standing alone.  Which, I think, makes it slightly worse as a movie.  So, where I think I would have given it an 8/10, I’m going to give it a 7/10.  It is a good movie and all the acting is great, but it’s just missing a little bit on its own.  Definitely see the movie, especially if you’re a fan of Burton, but it’s not his best.

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Podcasts I’m Listening To

Posted By Eric Mesa on March 13, 2010

I’ve been listening to podcasts for about two years now.  I got into it because I love listening to some NPR programs, but they are always on when I’m at work or asleep on the weekends.  Eventually, I heard on NPR that they have podcasts of various shows.  I checked it out right away because in Maryland NPR is on 88.1 which is always being interfered with by SiriusXM radio receivers.  At first I only listened to a few podcasts because I didn’t own an iPod and I so I burned the podcasts to a CD-R every few days.  That got expensive, so I got an iPod shuffle.  Since podcasts don’t take up too much space, I started getting into more and more podcasts.  Some I discovered in magazines and others were recommendations from Dan.  So, I thought I would share the podcasts I listen to so that those following this blog could perhaps discover some new podcasts they didn’t know about.  Dan, for example, recently got into This American Life.  (I think after I kept telling him about it – but he may have discovered it independently)  I’m going to put links to the actual podcast URL, so just copy that into your podcather or iTunes.

Science

The Naked Scientists – This has nothing to do with nudity.  It’s a British thing, like The Naked Chef.  This great British radio show covers science topics equivalent to what you’d read in Discover Magazine in the USA.  It’s informative while being entertaining, and I learn a lot every week.  (Approx 1 hour long)

Video Games

Giant Bombcast - This is a HILARIOUS podcast that is mostly about video games.  I say it’s mostly about video games because these guys often will go off on random tangents about what energy drinks they have, what they ate, what they did between video gaming, and other topics.  However, they always get back to video games and provide a really fun podcast.  Segments include What You’ve Been Playing, News of the World, New Releases and EMAILS!  My favorite parts are “What You’ve Been Playing” and “New Releases” where they often slag off the crap that ends up in Wiiware and DSiware.  It can be a bit geeky in the same way that some of the tech podcasts I listen to are geeky, (Approx 2.5 hours long)

NPR

American Public Media:  Marketplace – This is a really good economics show.  They talk about news that happened that day as well as stories that have been pre-prepared.  This podcast has really helped me to understand the recession and why it happened as well as whether it is getting any better.  (Approx 30 min long)

Talk of the Nation – Talk of the Nation is a call-in show that discusses news and politics Mon-Thurs and science on Friday.  It also has a special focus on Politics on Wed, although politics can be discussed on Mon, Tues, and Thursday as well.  The show usually has one guest on each side of an issue or one guest if they’re talking about a book or movie.  The hosts are very civil and keep opposing guests from the stupid fighting often seen on cable news networks.  They will also apologize for rude callers.  So I love this show to get a general view of the news without the BS of cable news.  I really like this show a lot.  The science section is of the same quality of The Naked Scientists, but they usually cover a bunch of stories and have a lot more call in with less time so they can’t be as thorough.  (Approx 30 min long)

Fresh Air – Fresh Air is one of NPR’s most famous shows.  It is similar in topic scope as Talk of the Nation, but without any listener call-in.  Also, it tends to have a heavier focus on cultural topics (books, movies, etc).  Terry Gross has been hosting Fresh Air for decades and is a master at interviewing her guests.  Every once in a while there is a guest host or the interview is conducted by a specialist in that industry.  (Approx 1 hour)

Wait, Wait Don’t Tell Me – This is a hilarious news quiz show that features guest panelists that rotate from a roster of regulars.  Former NPR news super-star Carl Kassel is the judge of the show.  It alternates between quizzing the guest panelists and call-in guests.  It’s been on for a little over 10 years and in the last few years has been taped in front of an audience (most of the time in Chicago).  My favorite part is when they ask their questions in the form of a limerick.  The only bad part is when they go on the road for their shows, sometimes the audio isn’t as good.  (Approx 30 min long)

On The Media – Although not always perfect and although it leans a little more left than moderate, On the Media is a good podcast about media issues.  Examples include: truth in advertising, misleading news stories on the cable networks, debunking PR-speak from the White House, and other media literacy items.  I tend to enjoy it nearly all the time and it’s a good balance to news on both sides of the spectrum, calling out CNN as often as Fox News. (Approx 1 hour long)

Media Matters – This podcast is nearly as far to the left as Fox News is to the right.  I listen to it because, other than Keith Olberman on MSNBC, there aren’t really that many places that look at the far left of issues.  I find myself often disagreeing with the people interviewed, but I find it interesting to see their point of view.  On the plus side, they tend not to trade in fear mongering like those on the right often do (I’m looking at you Glen Beck).  (Approx 1 hour long)

This American Life – This is an AWESOME podcast and is often my favorite one to listen to each week.  Ira Glass introduces a series of stories that all revolve around a particular theme.  The production rocks and the stories are nearly always very interesting.  It’s hard to properly describe it – you just need to listen to a few episodes and you’ll probably be hooked.  (Approx 1 hour long)

Computers and Technology

The Commandline Podcast – This is a pretty technical podcast.  If you aren’t a computer geek, you probably won’t enjoy it.  But if you ARE a computer geek, this show, by Thomas “Cmdline” Gideon, is a really well produced show.  Cmdline goes back and forth between a news-related podcast and a meditative-based podcast.  The meditative ones contain wisdom from Cmdline’s many years in the tech world. (Approx 30 min long)

FLOSS Weekly – This is a weekly podcast (duh!) about free, libre, and open source software.  It’s another geeky podcast and if you aren’t into the open source movement, you’ll probably find it boring.  If you DO like open source news, they tend to get interviews with really neat project maintainers and the hosts are all Titans in the open source world:  Jono Bacon, Randal Schwartz, and Leo Laporte. (Approx 60 min long) edit:  corrected to 60 min from 30 min

Linux Outlaws – A pretty good Linux podcast.  Dan (British) and Fab (German) talk about the latest news and releases in the Linux world.  As with most of the other podcasts in this category, I don’t recommend it if you’re not really into Linux.  They are approachable, but if you don’t like Linux, there isn’t much here.  They tend to run really long and it can be annoying sometimes.  Unlike Giant Bombcast, they only have two hosts so tangents don’t lead to as many funny moments.  (Approx 2.5 hours)

Shot of Jaq – Shot of Jaq is a podcast by LugRadio veterans Stuart “Aq” Langridge and Jono Bacon.  Whereas LugRadio was often 2 hours long and focused on Linux, Shot of Jaq is 10 minutes long and focused on technology in general with a slant towards FLOSS.  It’s the shortest podcast I listen to and they usually talk about interesting topics.  It takes the form of a conversation between the hosts almost as a classical Lincoln-Douglas debate as they are often on opposite sides of an issue.  (Approx 10 minutes long)

Spectrum Podcasts – This is the official podcast of IEEE Spectrum.  It’s OK.  But it’s not too long and they have decent interviews.  (Approx 15 minutes long)

This Week in Photography – A Photography podcast featuring a revolving cast of four professional photographers.  It seems to follow the same format of Giant Bombcast, except about Photography.  It starts out with general conversation followed by news.  Then there’s an interview with an industry giant, followed by picks of the week where they talk about hardware and software people should try out.  Then they read emails and end the show.  It’s pretty good if you’re into photography. (Approx 45 min long)

Tux Radar – Yet another Linux podcast.  It’s the official podcast of Linux Format Magazine.  They talk about Linux and joke around.  It’s pretty good; I’d probably give it a 7.5/10. (Approx 45 min long)

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Latest Photojojo Time Capsule

Posted By Eric Mesa on March 4, 2010

Once again, I got my photojojo photo time capsule email.  This time, one year ago I was in Miami for my cousin’s wedding.  And here are the photos they chose:

Danielle (March 2009)

Selling Tobacco Products

Kenny in the Freezing Cold Water

Reflections of Movement in an Elevator

A Kiss to Warm You Up

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March Background Calendar

Posted By Eric Mesa on February 28, 2010

Here’s your March computer desktop background!

Click on this one and then, once it loads, right-click and set as desktop if you have a square monitor:

March 2010 - 1024x768 Desktop Calendar for Squarish Monitors

Click on this one and then, once it loads, right-click and set as desktop if you have a widescreen monitor:

March 2010 - 1680x1050 Desktop Calendar for Widescreen Monitors

March 2010 - 1680x1050 Desktop Calendar for Widescreen Monitors

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Sid Meier’s Civilization IV: Colonization

Posted By Eric Mesa on February 26, 2010

Civilization IV: Colonizaton: My First Colony

Civilization IV: Colonizaton: My First Colony

Do not be fooled by the Civ IV part of the title to the updated to the classic Colonization.  You do so at your own peril; well, your colony’s peril.  Colonization is primarily a game of economics while Civilization is primarily a game of domination.  In Civ you work the tiles around your city and either get “money”, production, or food.  In Colonization you work the tiles around your city and get cotton, tobacco, ore, sugar cane, and probably some other stuff I’m forgetting.  And, while in Civ you simply use the production to build units and city structures, in Col you take all these raw products and produce finished products: cloth, cigars, tools, guns, rum, and coats.

Civilization IV: Colonizaton: The City Screen

Civilization IV: Colonizaton: The City Screen for my lung cancer city

My first attempt at Colonization was a disaster.  I got about halfway through the game before it got too unwieldy and I decided to try again from scratch.  Now I am the viceroy of a pretty successful Dutch colony.  My wagon trains traverse the landscape, whisking raw resources and finished products from city to city.  I’m sending colonists to native tribes to learn things like tobacco planting and cotton picking.  (Which, as Danielle remarked, still sounds wrong…)  And they have to go to the cities they are best for, so we don’t waste limited resources.

In a lot of ways, this is what I loved about the original Colonization over the original Civilization.  While both games involve a certain degree of micromanagement, it always seemed a lot more intuitive in Col than in Civ.  From the first Civ that offered the ability to have inhabitants be entertainers rather than working the fields (Civ 1 or 2?  Not sure) until now, I’ve mostly played the same way – just leave the cities alone.  Just grow them and worry about city improvements, climbing the tech tree, and having enough military units.  Back in Civ 2, whenever people would revolt and it would ask me – I would make some people into entertainers.  Nowadays, I mostly leave the specialist units as the ones that come with Wonders of the World.  After all, it was always a little tough to see just what effect I was getting from having people entertained instead of working the fields.  After all, why slow city growth when a larger city has more production capacity?

But with Colonization, it’s perfectly intuitive.  I’m producing X amount of cotton.  And my weavers are turning Y amount of cotton into cloth.  If X > Y, I’m fine up until the point that cotton starts to spoil because I have exceeded my warehouse storage.  If X = Y then things are perfect and it’s pretty rare to figure out this setup.  If X < Y, I have too many people working on cotton to cloth conversion and that colonist can better suit things working somewhere else.  Of course, things rapidly get more complicated than this.  Perhaps one city has enough food to support lots of people working to make finished products, but is poor in those products.  So a wagon train is built and shuttles the raw materials to that city to create the goods.  And then, maybe that city is inland so I need another wagon train to carry finished goods to the port city where it can be shipped back to Europe for money.  And, if this had to be done manually, this would be a game I would hate above no other.  But you can simply automate the wagon trains (and could in the first version, as well) to carry goods around all the different cities.  This is what killed Spore for me.  Spore needed some kind of intergalactic wagon trains to do all the annoying spice trading.  It really makes me think that perhaps the Spore team realized that there wasn’t much fun stuff to do in space and so they needed to occupy the player’s time grabbing spices and trading them all over the universe.  Seriously, what kind of people is advanced enough for intergalactic space travel, but not smart enough to create some kind of stock exchange to automate that crap?

Civilization IV: Colonizaton: Wagon Trains Everywhere

Civilization IV: Colonizaton: Wagon Trains Everywhere

Anyway, back to Colonization.  Really, the only thing I never liked about the original Colonization (and I haven’t had to deal with in new one) was revolution time.  First of all, this assumes that all colonies want to be their own countries.  Sure, this has happened a lot during history.  But sometimes colonies are OK remaining colonies (see Puerto Rico!).  But that’s just a silly argument.  The real problem is that I have always hated combat in these games.  This says volumes about my philosophies and fantasies about how the world should work, but really it was just about interrupting this system that I spent most of the game building up just to have a war and then the game was over.  In other words, whether Sid Meier intended to do this or not, Colonization is a commentary on the futility of creating complex systems.  They will inevitably be torn apart by war.  Or, to be put another way, why not attract a bunch of soldier immigrants and declare war immediately?  Why spend around 80-90% of the game building up an economy with Europe to then wage a war and have the game end?

It seems like a cruel joke on the player.  Most games have the player build up their attributes as the game goes along until they are able to use said attributes to win the game.  Perhaps you learn how best to shoot under cover.  Perhaps you gain units that will be useful again the main bad guy.  Or maybe you just learn how to think strategically within the game’s world.  (Similar to the point of going to University in real life)  But Colonization spends the entire game teaching you how to run an awesome economy and then asks you to militarily defeat the enemy.  It’s like training for ice skating by swimming.  In a way, the reality of the simulation intrudes upon the gamer’s sandbox-like fun.  The point of the game is to simulate historical colonies and their desire to win independence.  So the current endgame is inevitable.

But here’s what I would like to see – an expansion pack:  After Revolution.  Sort of an analogue to Civ IV:  Beyond the Sword.  If there is no elegant way to have a diplomatic, space race, or cultural victory (all possible victory conditions in Civ IV), perhaps there can be a new experience after revolution.  After all, the developers long ago realized with the Civ franchise that there were many players who preferred to play what is known in the gaming world as a turtle strategy.  Have strong enough defenses that the enemy cannot defeat you militarily while leaving the enemy alone.  Then winning via space race or cultural victory.  It still says a lot about the opinions of the game developers that most victory conditions will give a lower score than conquering all other races via military offensive.  But, at least the options are there.  Dan gets a thrill out of destroying enemy cities.  For me, the whole event is a nerve-wracking time until I have defeated the enemy.  Have I miscalculated?  Do they really have much stronger units than I?  It has taken me all these years to become a more aggressive player and I still am nothing compared to Dan (and maybe the majority?).

This gameplay style extends to all the games I play, even where it is less suitable.  I get a bit of game-related joy from climbing the tech tree and building advanced units and buildings.  So even in Age of Empires or World of Warcraft, I tend to eschew an early kill/win of the other players by building up my fortress and unit mass.  Even then, I may lose, but at least I had the fun of building things up.  It is telling that at the end of the game, I often have 25% or more or my unit slots taken up by workers, busy with deforestation as though their mission was to scorch the Earth.

But the point is that I’m not a huge fan of the combat.  And it’s not because I always lose to Europe in Colonization; I often win.  I just don’t enjoy that phase of gameplay.  As I mention for the third or fourth time now, I have spent the better part of 10 or more hours building up my economy and optimizing my cities.  I don’t want to wage war and then start again from scratch!  So, join me in momentarily envisioning an expansion pack I am sure will never be released (since Civ 5 comes out this year).   If my colony MUST declare independence because that’s what happens historically, then I’d like to continue the narrative.  Like the USA (in real life), you would have to make peace with Europe so you could continue to trade with them.  Also, perhaps you could provide military assistance (units or guns) to other colonies who are inspired by you (like real life South America) and want to overthrow their European overlords.  Also, perhaps the game now becomes a trading game where there’s a trade-based victory condition.  Perhaps, become the world leader in coat production or something.  Part of the reason this game has probably never been made is because it would be hard to come up with a second victory condition, but I would be all over said game.

Anyway, issues with the endgame aside, I’m having a good time with Colonization and I hope it eventually gets released as a total conversion of Civ V or Civ VI.

Post Script:
Between the time I wrote this and it was scheduled to appear, I finished up my Dutch game.  I discovered one bit of broken-ness in the game during war, although I may just be ignorant about a button or option.  Whenever an enemy approaches, wagon trains stop in their tracks if they’re within a certain amount of tiles of the enemy.  This is good in that it keeps you from losing all your wagon trains because they blindly drive right within the range of enemy units.  However, I could not figure out an elegant way to reassign the wagon train to its former trade route.  And with over 20 trade routes going on, it wasn’t easy to figure out what they used to do.  I guess I can rename the wagon train, but that’s a bit clunky.

Civilization IV: Colonizaton: Revolution!

Civilization IV: Colonizaton: Revolution!

As I anticipated, war broke the fun for me.  Suddenly, all trade stopped (as enemy units approached) and cities just ended up with tons of raw materials.  And it wasn’t fun to fight the war, although I did emerge victorious.  I learned that dragoons are useless for defense and soldiers are useless for offense.  I don’t remember how the original Col was, but I thought I remember dragoons just being an improved solder and that you wanted to make all your soldiers dragoons if possible.

Once I got the hang of the game and using dragoons to attack, I swiftly ended the game.  As far as I could tell (at least at the easiest difficulty level), the enemy does not increase his military force at all once revolution is declared.  This leads to the game getting a little game-y and, therefore, broken.  (I do especially hate being reminded that I’m playing a game when I’m doing these sims/strategy games (it’s ok in Mario))  Because if you are generating too many liberty bells throughout the game, the king is increasing his military.  So the best strategy is to play until you’re ready to stop playing and start the revolution and then build up your liberty bells extremely quickly so that he doesn’t have time to increase his military too much.  Also, you don’t want to have too many cannons already built up or too many units acting as military.  (Because that scares the king and he increases his military)  You just want a bunch of guns in the armory and a bunch of horses in the stable.  Again, as I mentioned above with the whole revolution aspect, I think they basically “broke” the game to make it more historically accurate.  After all, most of the colonial army was a militia.  Everyone went to the armory, got soldiered up and then fought around.  And I really hate this.

I used to love Sim City.  It had a place in the video game part of my heart nearly as dear as Civ.  Then, with Sim City 4, things got crazy complex.  We all enjoyed this because it appealed to every reason why we enjoyed a freakin’ city planning game.  It was neat to be able to tweak it to our heart’s desire.  But, unfortunately, it became too complex for the game designers.  There were all kinds of weird bugs around how the city grew and how the sims took mass transit.  (or even highways – which I often found more than useless)  And so I found online a way to design your cities so they could grow into a metropolis.  I was thrilled because I could never get my cities big enough to get all the population-related gifts.  But it ended up killing the game for me.  The strategy ended up producing ridiculously abstract cities that all looked exactly the same.  And if I’m going to do that, it suddenly becomes tedious to play.  There’s no creativity, I’m just playing a pattern to win.  So it left me in an ugly place.  On the one hand, no one is forcing me to build my city that way.  On the other, I know my city’s population is artificially crippled if I don’t.

In the end, I like Col and I’ll probably start up another game in a few days.  But I don’t enjoy it as much as Civ 4.  I think they got that one much more right.  Then again, they’re on their fourth try (and boy did Civ 2 have some issues!)  while Col is only one its second try and it isn’t even it’s own full game (it’s a total conversion of Civ 4).

Civilization IV: Colonizaton: Victory!

Civilization IV: Colonizaton: Victory!

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A Daily Photo: Seagull on Snow

Posted By Eric Mesa on February 25, 2010

Seagull with Lipstick

The beach was covered with snow, but that didn’t seem to bother the seagulls. As I approached, they let me get really close and if I got closer they preferred to run rather than fly.

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A Daily Photo: The Brooklyn Bridge

Posted By Eric Mesa on February 24, 2010

The Brooklyn Bridge

The Brooklyn Bridge. It was completed in 1883 and it links Brooklyn to Manhattan. It’s also possible to take the Manhattan Bridge from Brooklyn, but it’s far less picturesque. I’ve been to the Brooklyn Bridge a few times to take pictures with the first time being when I bought my Fujifilm Finepix S7000. This was the first time I took photos from Brooklyn Bridge Park; every other time had been from on the bridge itself.

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A Daily Photo: Lomography Store

Posted By Eric Mesa on February 23, 2010

Lomography Table

What can I say about visiting the Lomography store that hasn’t already been said? It provides a very interesting contrast with B&H Photo Video. B&H is a photographer’s sex dream. There are cameras and lenses of all kinds everywhere (on the second floor, nowadays). A conveyor belt system brings your order to the guy taking your order and then over to where you pay. It is massive (taking up a good chunk of 9th and 34th) and it feels chaotic on a Sunday afternoon. You instantly feel as though you need to win the lotto so you can posses it all. It feels like a microcosm of NY with people trying to get every which way and pushing around.

The Lomography store, on the other hand, was empty save for Danielle, Daniel, and I. It’s has a very casual feel to it and I almost felt time slow when I entered. They only sell Lomography-style cameras and film for said cameras. But then again, B&H is for pros (and enthusiasts) and Lomography appeals to a hipster hipper crowd.

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NYC Tet Trip Day 4

Posted By Eric Mesa on February 22, 2010

Day Two Hundred Fifty-Two:  Tet Portrait

This is part of my NYC Tet Travelogue.

See part one here, part two here, and part three here.

Unlike the previous entries, this one was written a week after the events, but it covers events from 14 Feb 2010.

Brighton Beach Boardwalk Snowed Over

The Boardwalk covered in snow

For this trip, I had only three goals ahead of time.  (Actually, three is pretty ambitious considering the amount of time we had plus the tet celebrations)  I wanted to hit up the Lomography shop, go to MOMA, and take some photos at Brighton Beach.  With the first two crossed off my list, I was ready to hit up Brighton Beach that Monday morning.  I wanted to do some seagull photography and some street photography style shots of the hundreds of people that take their morning walk on the boardwalk.  Danielle’s parents often walk the boardwalk in the morning so I opted to join them.  When I got there, it turned out that the beach and boardwalk were still covered in snow and ice from the  previous week’s snow storm.  Danielle and her mother gave up and went back home.  I decided to stay and get some gull photography.  The boardwalk was too icy to walk without risking a fall, but it was no big deal to walk on the snowy beach.

So I set about walking around the beach photographing seagulls.  I also happened to see an enterprising woman taking advantage of this rare occasion to go cross country skiing across the beach.

Cross Country Skiing on Brighton Beach

I decided to go to Coney Island to take photos of the rids covered in snow.  On the way over there, I continued taking photos of seagulls.

Seagull with Lipstick

It was very odd to be walking on what I knew was a beach, surrounded by seagulls and yet have the earth beneath me covered in snow.  Beaches are synonymous with Florida for me and I refused to call the ocean-front sand in Oregon a real beach since the water was too cold to enter.  So as I walked through the beach, I wondered if this was what it felt like to live in Alaska.  After all, those who leave near the coast in Alaska are used to beaches having snow through the winter.

Chaotic Skies

My quest to photograph Coney Island turned out to be very fortuitous because it led to me seeing someone using a large format camera.  As I was nearing Coney Island, I saw a guy with a tripod and a huge box on top that had to either be a pinhole camera or a large format camera.  Either way I figured it would be pretty neat to talk to him.  I quickened my pace and caught up with him as he was setting up for a shot of the ocean.  I asked if I could take a photo of him and he agreed upon the condition that he could take a portrait of me.  I was excited to be photographed by such a camera so I quickly agreed.  Also, he would be spending quite a bit of money for that film and to develop it (compared to a 35mm camera or a digital camera) so I felt honored.  The photographer is named Jon Feinstein and he’s the co-founder and curatorial director of the Humble Arts Foundation.

Coney Island Beach in Large Format

Coney Island actually ended up being a bit of a disappointment because it was so fenced up that I couldn’t get a good shot.

Snow-Covered Ride

Our Lunar New Year celebration was best expressed by what we did at the end of the day.  We went to one of Danielle’s aunts’ house and played traditional new year games: Vietnamese poker and Bau Cua, a game similar to the roulette wheel (without the wheel).   All the kids from the next generation were also there running around and it was a general jubilant chaos.

Bua Cua Mat

Put your money on which animals yout think will come up on the dice

Thus ended my trip and also my first real attempt at a travelogue.

Lance and the Hat

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NYC Tet Trip Day 3

Posted By Eric Mesa on February 20, 2010

Russian Leica Imitations at Lomography Store

This is part of my NYC Tet Travelogue.

See part one here.

See part two here.

this was originally written on 14 Feb 2010

Life sure is strange.  This morning I was sure I’d be buying a Holga today.  After talking to Danielle, it even seemed that SHE would get one too.  She wanted to have one loaded with color film and one loaded with black and white film.  Then she asked a few questions.  I can’t remember the exact words, but it got me thinking.  Do I REALLY want a Holga?  I mean, the biggest attraction for me was the ability to medium format film.  As I mentioned on 12 Feb, it’s a connection with the past and a chance to shoot with better film than I ever did.  But the more I looked at other photographers’ Lomo results, the more I wondered if this was how I wanted to re-experience film.  What put me off the most is the fact that the results are so random.  I don’t understand how people go on vacations to places as far away as Asia with a Lomo as their sole means of capturing their experiences.  They could be getting completely blown out photos the whole time and come back without any photo memories.

And thus were the memories destroyed

I think, in the end, the more I read about Holgas, the most I realized they didn’t fit my personality.  The focus is not accurate and is often blurry even if you get the settings right.  There’s only one f-stop and it’s insanely small.  So you’re stuck mostly shooting outdoors on sunny days.  Sure, that’s mostly what I wanted to shoot with the Holga – like the Brighton Beach boardwalk, but still – I think the expense in film is what gets me the most.  I guess I have to admit it – I’m a cheap f-ing bastard.  The thought of spending $20 total for film and development is just too much to bear when I don’t even know if the entire roll will be crap.  Digital’s cost structure is just too awesome.

Of course, everything I listed as a negative is exactly what Lomography geeks tote is awesome about the Holga.  So, in the end, it’s like trying to get with a girl because everyone says she’s fun, but everything she likes to do for fun is exactly what I hate to do.  It’s not as much of a match as I first thought.  Again, I’ve definitely experienced that with relationships.  Girls I thought at first would be great fun to be with turned out to be people I couldn’t stand to talk to for more than a minute.

I think there’s still something attractive to me about trying film now that I know more about photography.  Enough that I’m sure I’ll try it. I don’t mind spending the development money if the photos have a reasonable chance of coming out good. I even think that maybe medium format would be fun to shoot.  But I think Holga won’t be the one I do it with.  And that’s a shame because it’s the only affordable option right now.  But, that’s also just life.

Walking Near the Brooklyn Bridge

In other news, I went to the Brooklyn Bridge yesterday.  I always wanted to get a shot from below the Brooklyn Bridge.  I see lots of people take these shots and I never knew how to get there.  While researching other shots to show Danielle so she could help me figure out how to get there, I saw mention of DUMBO.  DUMBO strands for down under manhattan bridge overpass.

We ended up at a different train stop than I expected to, so we had to wander around a little.  We passed by this really neat firehouse with a painting of the Brooklyn Bridge on it.  But when I went to take a photo, they were raising the the garage door.  A guy came out with a chainsaw and he saw us and played around for the camera.  He was cutting some ice and after he was done we stuck around to see if the would close the door, but after a few minutes we were getting a bit cold and bored so we just left.

A Little Too Slow on the Snap

Afterwards we continued to head for DUMBO and found Brooklyn Bridge park.  I got the shots I wanted.  Well, kinda.  I think I really wanted to get closer, but I also realized that I needed a wider lens to get the exact shot I wanted.  From where I was, my EF-S 18-55mm (on my 400D 1.6x crop factor camera), could just barely get the entire bridge from Brooklyn to Manhattan in one shot.  I am anticipating getting the Sigma 10-22mm wide angle lens in the next few days (I’ve finally saved up enough money) and I’ll probably be back to try again.  I also have to figure out exactly how to get over there because the way the onramps were designed for the bridge, they a impede direct route to the bridge area by foot.

The Brooklyn Bridge

The Photo I wanted of the Brooklyn Bridge

While we were there, it appears that someone was probably shooting some portraits for an album cover.  They were definitely professional-level photographers (if not out-and-out professionals).  They had a grey Canon lens (probably EF 70-200mm f2.8L), and some assistants holding circular reflectors.  And the subject was a woman with a guitar.  So it could just as easily have been a model or fashion shoot, but we guessed it was a musician shooting for her album cover.  That wasn’t the only bit of professional stuff going on around and on the bridge.  After taking pictures we went back to the steps to ascend to the Brooklyn Bridge footpath.  For the first time, I walked from the Brooklyn side all the way to the Manhattan side.  When I first came to the Brooklyn Bridge (after getting my Fujifilm Finepix S7000) we went from Manhattan across the bridge, but we didn’t go all the way to the “Welcome to Brooklyn” sign.

Photographing An Album Cover

Ok, she's not holding a guitar in this shot, but she was before.

We took some photos that might end up using to decorate the house (Danielle had some very definite ideas in her head for what she wanted).

Manhattan Side Brooklyn Bridge Tower

Something like this, for example

Then, as we got to the Manhattan side, we saw some people filming a rap video.  It was pretty funny to see two different professional events going on in roughly the same location, but at the same time – it IS New York City.  Although it’s not commonplace, it is definitely possible to see various celebrities around the city filming movies or TV shows.  Total, we were moving for an hour with an average speed of 2.6 MPH for 2.53 miles.

Rap video on the Brooklyn Bridge

"The cat in the hat and that was that! Busta Rhymes!" - Mike Birbiglia on rap

Finally we went to a french bakery where Danielle’s dad’s best friend works.  We had tea and some sandwiches and pastries.  The food was good and the the atmosphere was great.  Definitely check it out if you’re into french pastries and french sandwiches.

French Bakery

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NYC Tet Trip Day 2

Posted By Eric Mesa on February 19, 2010

God is...

Part of my NYC Tet Travelogue.  See part one here.

this entry was originally written on 13 Feb 2010


Lomography Store in Greenwich Village, NY

I went to the Lomography store yesterday and it was a very interesting experience.  The store matches the aesthetic of the Lomography movement.  It has a very casual feel to it.  It definitely belongs in Greenwich Village.  The wall is a huge collage of Lomo prints; most appeared to be of or taken in New York City.  There was a lot of repetition and it had the feel or working well as a larger work of art.  It’s worth visiting the store just to see the wall.  But the layout was also great – all the cameras are sitting on a table in the middle and you can touch them and handle them and get a feel for the camera.  I have a feeling they would have probably let me load some film in and take some shots for them to keep.  (And I might have if I hadn’t been there with others)  The table has an outline of each camera beneath it with the price of the camera listed.  The staff (well, the one woman there at that time) was very knowledgeable and helpful.  Definitely a good hire.  There were also tons of books and magazines wholly consisting of Lomographic images.

Lomography Table

The center table at the Lomography store

Being there and seeing all the cameras solidified the feeling that I wanted to own one.  Seeing the images up close, and getting to actually touch the cameras, just gave me a better feel for what Lomography was all about.  Sadly, and I felt guilty thinking this (and I still feel guilty writing it), I decided to buy my Lomos at B&H rather than at the Lomography store.  Although I wanted to support the store and its great vibe, most of the cameras were, on average, $15-$20 more expensive than at B&H.  I wish I had that kind of money to throw away, but when talking about analog photography – that’s film and film development money there!  Unfortunately, I wasn’t able to buy it because B&H closes early for the Sabbath.  I thought they’d close closer to sunset, but they closed at 1300!  I should have checked first, but it worked out in the end.  Anyway!

Jumping ahead to last night (I’ll be back to yesterday afternoon in a second), I started researching what camera I wanted to get at B&H on Sunday.  And I searched around the net to find out more about Lomography – I found a few VERY anti-Lomography sites and I almost got discouraged.  But then I realized that these sites were not attacking Lomo cameras for any of reasons that I wanted to own one.  They were merely attacking the philosophy and movement – the way people attack Apple fanatics.  So I rallied and I will definitely get one on Sunday.

MoMA

Back to yesterday, after lunch we went to the Museum of Modern Art (MOMA).  It was not only my first time, but Danielle’s first time.  She had never been because it was $20 while other museums in NYC, such as the MET, were free.  I wanted to go because I’d heard there was a pretty good photography exhibit at the MOMA.  When I started looking on the website, it turned out they were having a Tim Burton exhibit.  He is one of our favorite directors, so Danielle and I really wanted to go.  They said people had to buy timed tickets to the Tim Burton exhibit because it was so packed.  While going to buy the tickets, I looked at the membership price and realized it made a ton of sense to become a member!  It only cost $60 since I’m from out of town (over 120 miles away) and I could get up to five people in at $5 each instead of $20 each.  Since Dina, Daniel and Brian were coming as well, it was a great deal!  But what really made it a good deal for me was that there are lots more exhibits coming up that I really want to see, such as Henri Bresson-Cartier, and this way I don’t have to pay so much over a year to keep coming back.  Also, I could enter the Tim Burton exhibit whenever I wanted.

Tim Burton Exhibit at MoMA

The Tim Burton exhibit was awesome (the NY Times had panned it – said it was over-rated) – it had hundreds of sketches both relating to his movies and what amount to doodles.  There were also lots of props from his many movies.  We loved the Nightmare Before Christmas and Corpse Bride stop motion figures.  (Danielle loves the former and I love the latter)  Like lots of famous, quirky directors (like Quentin Tarentino) you may think that Burton is over-rated.  But I really like his strange style and that you can always tell a Tim Burton movie.  Really, the only negative is that it seemed as though everyone was at the MOMA just to go to this exhibit.  It was so packed – they need to invent a new word for how packed it was in there.  And that detracted a bit from the experience.

Actually, upon further reflection, this was mostly only a negative with the main Tim Burton section.  It was split across three different areas.  And my favorite (in terms of creativity) was in a lower section where they showcased a series of oversized polaroids by Tim Burton.  For about half of them he had arranged props from The Nightmare Before Christmas in a creative manner.  With some photos he had arranged the characters from the movie in portraits as if they were human models. With others he created more abstract shots such as one consisting of all the Jack Skellington heads.  Other photos contained humans in Burton-esque gothic poses and costumes.  (including a great madonna)

Danielle and Water Lillies

Danielle and one of Monet's Water Lillies

I enjoyed the other exhibits at the MOMA.  It is MUCH larger on the inside than it appears from the outside.  One of the highlights for me was the fact that I was able to identify a Picasso without knowing ahead of time that it was a Picasso.  In the five to seven years I’ve gained a much greater appreciation for art.  It’s not that my parents didn’t take us to museums as kids.  I remember going to some when we went on vacation to Philly.  And I remember going to some at other times in my childhood.  But, for whatever reason, I just never appreciated it at the time.  I was too young.  I mean, I thought Sargent Pepper was a horrible album at the time.  Some kids can appreciate classical music and art at a young age.  I wasn’t one of those.  Then again, there are other adults who don’t or can’t appreciate art and see it as too highfalutin.  The photography and paintings were great.  They also had a Monet water lilies exhibit that was very powerful.  With impressionism it may not be easy to tell exactly what the subject is, but the size of the paintings along was overwhelming.  Another painting that we all enjoyed was Matisse’s The Dance.  Danielle and I enjoyed the room with the Warhols.

Dina and Danielle in a Freaky Exhibit at MoMA

Danielle and Dina interact in one of the scary exhibits

The only thing I didn’t like was the top floor with some *really* modern art – like found art.  For example, one of the guy’s pieces was a room where each wall had a lid from a yogurt cup.  That’s it.  It wasn’t modified or arranged in a creative way.  It was just one yogurt lid per wall.  How is that art?  I don’t get it.

Danielle and Dina at MoMA Stairs

It's not creative, but it's still fun

If I had to find one fault with the MOMA it would be that the regular exhibits are perhaps a little bit too eclectic.  I would like some more surreal, cubist or impressionistic art, but I guess what they rely on are really awesome rotating exhibits.  The Tim Burton exhibit, again, was fantastic.  The regular stuff was good, but not quite as vast.  There were only a few Warhols – not more than one room, for example.  I can’t wait to visit it again to see the next exhibit.

Dina and Frida (And Brian)

Dina challenges Frida for woman with most facial hair

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NYC Tet Trip Day 1

Posted By Eric Mesa on February 17, 2010

After reading Dan’s great Japan travelogue, Super Ichiban Travel Blog, and another source where someone had his children always keep a journal when they travel, I decided I wanted to do this as well.  To practice for when I go to some place that’s foreign to me, I decided to start keeping a journal when I travel to places I’ve already been.   Here’s the first entry from last weekend’s trip.

This entry was originally written on 12 Feb 2010

For the past three days I’ve been trying to figure out whether or not to take the plunge into Lomography and buy a cheap Holga medium format camera.  I’ve been going back and forth on whether it even makes sense to give film a try when digital photography has reached the level it already has.  I am certain that within the decade we’ll have 30 megapixel 35mm-equivalent cameras that can essentially take photographs in near darkness thanks to the advances in engineering that mean we can have ISOs in the six figures without too much grain.  As I try to figure out whether or not to do this, I try and think of how I would justify my purchases to my wife or others.  It’s not so much that I have to justify what I buy in general, but in order to help her make sense of what I am doing.  I know part of what attracts me to the idea of buying one is the idea that I’ll be touching a part of photographic history.  This would be in two ways.  First of all, the Diana, Holga and other lomo cameras are recreations of cameras from the 1960s through the1980s and so I would be connecting with that.  Second, it is really the most affordable medium format camera I can justify.  And many, if not most, photographers in the olden days of photography have used medium format cameras.  Ever since I discovered that were was another format of film larger than 35mm, I’ve wanted to try this format.  The fact that it’s the format of professionals just spurs me on even more.  The  digital medium format cameras are in the $30,000 range, so those are way out of my reach.  But a Diana, Holga, or even an LC-A would be affordable.

Of course, there is the other side of things.  First of all, Holga cameras are crap.  So I wonder if I’m setting myself up for unjustified disappointment in the medium format.  Second, am I just following the crowd?  There are a bunch of people, of which I wish to have no association, that proclaim that digital is inferior because it’s too “clean” and that film is the only true way to do photography.  I doubt they would be against 35mm film, but many photographers were against it at the time.  Third, there is the cost and logistics.  If I end up enjoying film photography – I have to buy film and I have to pay for it to get developed.  And I don’t even know where in the world I could get it developed.  I guess I could learn to do it on my own, but that’s quite a ways off, if ever.

So, I’ll be going to the Lomography store in NYC in an hour and I’m still not sure what I’m going to do.  Last night I decided to go there and see what vibe I get from being there and let that determine whether or not I buy in to Lomography.  And, if I hate it – at worst I’m out maybe $100.  It’s certainly worth it to see if the hype is more than hype.

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Happy Lunar New Year

Posted By Eric Mesa on February 15, 2010

I know I’m a day late, but I was busy celebrating the new year.  It’s now the year of the tiger!

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To ’shop or Not to ’shop

Posted By Eric Mesa on February 14, 2010

If you read anywhere on the web, you’ll see people talking about how Photoshop (and digital photo manipulation) is ruining the purity of photography.  People argue endlessly about this as if they could get everyone on their side.  Guess what?  This controversy is older than radio.  Recently I’ve been reading the great photography history, How To Read a Photograph.  It turns out that as early as 1898,  people were purposely publishing their photographs straight as they happened to develop.  In the 1920s there emerged a division between photographers over whether it was more proper for photographers to alter their negatives (and therefore become an interpretive art form like painting) or if they had to be developed as is.  People had already been experimenting throughout the 1900s with the usage of different chemicals to affect their prints in different ways.  Photographers even used different films from different manufacturers because they were known to give darker greens or more saturated colors or better grain.  Digital photography is no different – it’s just that dark rooms took years to master while anyone can get the basics of the Canon RAW (or Lightroom RAW) editor.  But, having seen that this division has existed within photography for the past 100 years, I don’t think it will be going away any time soon.

I think the most important thing to realize is that the art of photography is 99.9% in the eye of the photographer.  How we compose a scene is what determines the difference between art and a snapshot.  If the colors are a little too muted or if we need to lighten up the image, this doesn’t mean that the computer is creating art any more than saying that when you take your photos to be developed at the drugstore that the developing machine is creating art.  The computer is merely doing what I tell it to do.  In both the analog and the digital worlds, there has always been a need to augment what was captured by the camera.  After all, when a photograph is my artwork, and I wish for a scene to be remembered more or less colorfully, I’m merely making an artistic decision.  A bad photo can never be made good by photoshop.  A bad photo is a bad photo.  If things need to be lightened or darkened – then it was not a bad photo – there were just some technical mistakes made.

And what of photojournalism and photo documentaries?  It’s taken me a while to realize that there is no such thing as an objective photo (no matter what the non-photographic public thinks).  At the moment in which I frame a shot, I am automatically making a value judgment.  I am determining what is relevant to the photo and what I want to say with the photo.  Take, for example, a political rally.  If I find the person with the most repugnant sign (say, “The President is a Nazi”) and photograph only that person and publish this photo, I have not manipulated the scene in any way.  I captured it exactly as it happened.  Nothing unethical has taken place.  But, by singling out this one person, I am framing what the whole rally was about.  I am keeping people from seeing other, more rational signs.  But there was no “evil” computer manipulation involved in this deception.

In the end, the most important thing to realize is that photography has NEVER been as simple as clicking a shutter and getting photos back.  Only as a reaction to people manipulating photos in the dark room did people begin to specifically take photos and not do any processing to them except what was necessary to get the photograph developed.

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A Daily Photo: Dan’s Birthday

Posted By Eric Mesa on February 13, 2010

24 Cupcakes - All for Dan!

Dan over some cupcakes that Danielle made for him.

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